
I'm exploring the history behind the corsets and bodices made at Market Harborough's Symington Factory. I'm particularly interested in the fibres used to make the garments and the souls who worked here, to cloth thousands more over the many years it was open. Early next year I'll be showing my work in a group exhibition, along with other members of @second_turning_textile_gp
I'm exploring the history behind the corsets and bodices made at Market Harborough's Symington Factory. I'm particularly interested in the fibres used to make the garments and the souls who worked here, to cloth thousands more over the many years it was open. Early next year I'll be showing my work in a group exhibition, along with other members of @second_turning_textile_gp
A photo of some of my field finds with typography on them. I use my field finds to inspire my art making - to draw from, to stitch from (see my other sub here); to print from, to emboss directly from - to generally draw inspiration from.
Signing an embroidered artwork. Embroidered with vintage cotton thread on a deep blue and white to echo the pattern on a found on a ceramic sherd - a field find from a walk along the Robin Hood Way beside my home. Extra texture details were made using simple needle perforations.
The past few weeks I've been duplicating tiny seed stitches. I've lost count of how many I've attached to this calico background. Hundreds? Definitely. Maybe more than a thousand. My fingertips certainly believe so anyway!
I'm holding tweezers to delicately pick-up sycamore keys. This method avoids me anything the wet printing ink and leaves me with crisp impressions of the natural objects.